Today I am taking a look at yet another iconic piece of design, fashion design to be accurate. Amongst the many fields of Design, fashion is very popular and easily understood by laymen. Especially in India if you say ” I am a Designer”, majority will think “Haan kapde silti hogi” (must be sewing clothes), and assume you are a Fashion Designer. For this (amongst other) reason designers from other design disciplines tend to take fashion design with a pinch of salt. But like any other field of design be it Industrial or Furniture, Fashion Design also has the same core values and the final outcome is a reflection of the designer and their inspiration. Of course the Form vs. Function debate is also very valid in the field of Fashion Design. So today I am taking a look at one such piece of iconic design that was born out of necessity and went on to become an icon in the world of Fashion Design – The Chanel 2.55 Handbag.
Recently a very special munchkin came into my life and I wanted to buy a soft toy for her, my first choice was a cute cow because “Gaay humari maata hai” and the socio-political weather in India calls for every child and adult to know this by heart! But looked like the Cow Plush was very popular and was out of stock in no time. So I bought a Hello Kitty instead, but the munchkin’s mummy didnt know what a high roller Hello Kitty was in the world of Graphic Design! So I thought along with her I will take you guys on this introductory journey through the world of this cute white cat which strangely has no mouth and yet is the most recognisable graphic on this planet.
When you read the title – what did you think of? Tell me your honest answers in the comments. When I first came across Hot Bertaa, I thought it was totally apt because Continue reading
If you have been reading my Design section you know how much I love the Form vs. Function debate. At various stages of life I find myself identify with different sides. During my B.Arch days I was staunchly on team “Function”, but post Industrial Design education and few years of work in the field seems to be gradually pulling me into team “Form”. So today I want to write about one more piece of furniture which further fuels this debate- The Zig-Zag Chair by Gerrit Rietveld.
In school while studying Architecture & later Industrial Design, my professors could not stop emphasizing on the fact that one’s design needs to solve a problem. Yet the students were expected to do tried and tested design assignments which (of-course) needed to solve a problem. But what is one to do, when there is no problem or better yet, the problem has already been solved in genius ways? After a lot of sweat, blood and tears I learnt the answer to that question – Make it better! Continue reading
In my Iconic Design series, today I want to write about a Lemon Squeezer. Yes, you read that right; a banal lemon squeezer has made it on this list! It is none other than the very controversial, yet counted among the major-leagues of modern design, the Juicy Salif. Perhaps the only lemon squeezer that has earned a spot at the Museum of Modern Art, New York.
Before I came across Juicy Salif, I never thought a mundane lemon squeezer could capture my attention and thoughts for so long, but isn’t that the crux of Emotional Design!
The Juicy Salif lemon squeezer is designed by internationally renowned French designer Philippe Starck for the Italian firm Alessi. Continue reading
Angelpoise Lamp is an iconic pieces of Industrial Design that has always captivated my attention. My earliest memory of this lamp is from my childhood when I would see Dad reading under the light of this lamp late into the night. The lamp’s shade was of a faded green colour, perhaps because of the heat from the incandescent bulb in it. As a curious kid, I had burned my fingers quite a few times while fiddling with it and was not a fan of the weird mechanical contraption.
Much later, I realized that it was a replica of the iconic Angelpoise and truly understood its remarkable design. Angelpoise lamp is a design classic and has found a mention in popular songs, books and sculptures.
I have been an admirer of this iconic piece of furniture for the longest time. My earliest memory of this chair is from when I visited a Parsi family that had the plastic version of this in their dining room. As the elders socialized, I killed time by sticking spoons into the weave of the seat.
Later my education in Architecture and Industrial Design only increased my appreciation for this wonderful piece of furniture design. Since then I have spent countless hours looking at pictures of this chair in various settings and imagining how it would look in my future house.